TikTok, Hip Hop, and the big shots — humanising great power rivalry

Written by Solomon PM

Contrary to substantive and decades-long literature speculating as to the destabilisation posed by China’s rise, at least in the case of 88rising, this rise has shown signs of being peaceful and mutually beneficial, as well as providing meaning and fulfilment for individuals on both sides of the divide.

Editor's Picks9DLSeptember 11, 20249DASHLINE, Solomon Pace-McCarrick, Solomon PM, TikTok, Hip Hop, and the big shots — humanising great power rivalry, Great power rivalry, TikTok ban, social media, spyware, espionage, United States, China, ByteDance, Hakeem Jeffries, national security, Mark Warner, Marco Rubio, Chinese Communist Party’s, Chinese Communist Party, Chinese Communist Party’s cultural embargos, State Administration of Radio and Television (SART), Publicity Department of the Communist Party of China (CPCPD), media, culture, intercultural communication, 88rising, Asian-American, zero-sum game, positive-sum game, online media trends, music, genres, India, Pakistan, Kashmir, Bollywood, geopolitics, national interest, Sean Miyashiro, Japan, Korea, Midsummer Madness, East-West cultural encounters, meaning, visibility, The Bicultural Identity, Western society, immigration, Canada, Netflix, Beef, cultural milieu, African-American, Higher Brothers, rap, Melo, Joji, Rich Brian, American culture, superstars, Marvel’s Shang Chi and the Ten Rings, Marvel’s Shang Chi and the Legend of the Ten Rings, Chinese pride, Joseph Nye, soft power, The Rise of China’s Soft Power, Thucydides Trap, hostile foreign adversaries, relative powers, ban on TikTok, TikTok Hip Hop and the big shots — humanising great power rivalry